The ESSENTIA assortment, designed by Marco Piva for Giovanni De Maio, creates a bridge between the digital and artisanal worlds, mixing technological innovation with the custom of ceramics. Via this synthesis, the gathering reveals new views and interpretations of the fabric, highlighting its deepest essence and demonstrating how even in fashionable instances, a connection to the traditional roots of ceramic artwork will be rediscovered.
Each bit within the assortment encompasses a rigorous design with minimal decorations, rigorously conceived to serve particular capabilities. The modular idea permits every ingredient to be tailored to the particular wants of any setting, making certain a novel and distinctive end result.
ESSENTIA consists of three unbiased patterns, seemingly disconnected from each other however strongly linked by way of their artistic genesis. Every design stems from a up to date method, geared toward decoding how we reside and work together with the areas round us. The versatile graphics and intensive color palettes provide customers the chance to create a number of aesthetic options, permitting for an imaginary and dynamic division of areas, whether or not public or non-public.
The expert fingers of Giovanni De Maio, inheritor to a centuries-old custom of working and enhancing ceramic surfaces, have efficiently mixed the precision of computerized designs born from Marco Piva’s creativity with artisanal strategies handed down by way of generations.
DOXA
DOXA consists of 4 rectangular modules (two measuring 30×10 cm and two measuring 60×30 cm) which, by way of their totally different combos, permit for just about infinite compositional prospects, exploring the distinction between the world of superficial perceptions and the hidden, deeper essence of types. The minimalist, rationalist design displays a pure aesthetic, the place the easy ornament represents the wise world, whereas the important, useful, and excellent type highlights the seek for a deeper fact past appearances.
EIDOS
EIDOS, composed of three rectangular 30×10 cm modules, performs with the notion of three-dimensionality achieved by juxtaposing static components, which collectively create visible concord. This embodies a super idea of symmetry and order, reflecting a super thought or type that transcends materiality. The aesthetic captures the essence of Plato’s Eidos, evoking the purity and perfection of the unique thought by way of the medium of ceramics.
AUREA
AUREA consists of 10 sq. modules, 5 within the 30×30 cm format and the opposite 5 in 15×15 cm, representing the trail of elevation from sensory notion (Doxa) to the understanding of pure concepts (Eidos). The undulating, curvilinear patterns, with fluid traces that harmoniously unfold throughout the tiles, create a way of motion and continuity, permitting for infinite combos. This design embodies the concord of divine proportion and the development in the direction of data.
